Los Angeles Safer at Home Order Extended Until May 15

We are still at home and safe. I am grateful that I have a day job that allows me to work remotely and I live in my studio so I have plenty of art supplies and space to make art.  Mayor Garcetti has extended the Safer at Home emergency order until May 15th. The original “Public Order Under City of Los Angeles Emergency Authority” was issued on March 19th with a potential end date of April 19. And now it has been extended for another month. Read the press updated release here: SaferAtHomeAPR10

“New City Measures to Address COVID-19” was the order issued prior to the “Safer at Home” order. It was issued on March 15th  Mayor Garcetti Emergency Order – March 15 2020

1200px-Seal_of_Los_Angeles.svg

Recent Ceramics 2018-2019

I’m excited to share some of my recent ceramic sculptures!

03 Schnibbe Group EncounterGroup Encounter, 2019, high-fire ceramic with glaze,
17″ x 15″ x 14″

02-Schnibbe-Ervin-Says-Im-SorryErvin Says I’m Sorry, 2019, high-fire ceramic with glaze,
17.5″ x 17.5″ x 10″

03-Schnibbe-Sun-in-ScorpioSun in Scorpio Moon in Libra, 2019, high-fire ceramic with glaze,
13.5” x 10” x 10”

04-Schnibbe-Dancing-with-MyselfDancing with Myself, 2019, high-fire ceramic with glaze,
22″ x 8″ x 8″

05-Schnibbe-Interpretation-of- DreamsInterpretation of Dreams, 2019, high-fire ceramic with glaze,
42″ x 14″ x 14″

06-Schnibbe-I-Feel-LoveI Feel Love, 2018, high-fire ceramic with glaze,
19″ x 10″ x 9″

07-Schnibbe-A-Certain-Type-of-Object-ChoiceA Certain Type of Object Choice, 2019, hire-fire ceramic with glaze,
7″ x 7″ x 6.5″

08-Schnibbe-Big-Woods-Little DeathBig Woods Little Death, 2018, high-fire ceramic with glaze,
10″ x 10″ x 7.5″

09-Schnibbe-Afternoon-DelightAfternoon Delight, 2019, high-fire ceramic with glaze,
12” x 7.5” x 6”

10-Schnibbe-Third-Wave
Third Wave, 2018, high-fire ceramic with glaze,
9.34” x 10” x 4”

11-Schnibbe-Two-Cousins-One-NightJPG
Two Cousins One Night, 2019, high-fire ceramic with glaze,
14” x 10” x 9”

12-Schnibbe-A-World-One-Needs-to-Discover
A World One Needs to Discover, 2018, high-fire ceramic with glaze,
10″ x 8″ x 8″

My Summer 1988 Artist Residency @ the Moravian Pottery & Tile Works in Doylestown, Pennsylvania

While an undergrad ceramics major at Hunter College in NYC, I spent the summer of 1988 in an artist apprenticeship/residency program at the Moravian Pottery and Tile Works in Doylestown, Pennsylvania, a suburb of Philadelphia  not far from where Jessica Savitch drowned in a canal. I sublet my bedroom in an apartment I shared with Phideaux Xavier  on Rivington Street on the Lower East Side of NYC to our friend John Kenny, whom I was told, was quite fond of sitting naked on the living room couch.  At the tile works in the day I was required to perform the various tasks of a historic tile-maker and explain the tile-making process to the tourists as they walked through the facility. The job was stupid and the pay was shit but I learned about ceramic tiles, mold-making and cement. I liked my co-workers and housemates and met Carol Stakenas and Andrea Whitfield, who became my life-long friends. The best part about being an artist in residence/apprentice at the tile works was that after work and on days off, we could work in the studio and had free access to the materials and the kilns. I have fond memories of Carol and I smoking unfiltered cigarettes in a sweltering hot studio above the kiln room while working late into the night.

I found these exhibition images when I was preparing a grant application that required a 20+ year commitment to art making. This was my first real exhibition: a 3 person show.  I recall that a husband of one of my co-workers was a photographer and generously shot these slides for me.  I am grateful to have these images from so many years ago.

The pieces are constructed of cement and grog with imbedded (low-fire) tiles.  After the exhibition the fountain was donated to the community garden at Ave B & 6th Street in the East Village but eventually disintegrated in the winter. The vessels and cement plinths still survive today.

Schnibbe_Margie_1
Margie Schnibbe . Fountain. 1988. glazed ceramic, cement, grout, 48” x 36” x 36”

Schnibbe_Margie_2
Margie Schnibbe. Three Vessels and Three Plinths.  1988. glazed ceramic, cement, grout, 40” x 14” x 14”, 39” x 14” x 14”, 53” x 14” x 14”

 

October 20 @ 2-4pm Closing Reception: Mary and Masoud in Heaven

IMG_0366-closing-invitePlease join us at the closing reception for my exhibition Mary and Masoud in Heaven at The Finley Gallery. Sunday October 20 @ 2-4pm. I will be a reading poems at 2:30.
4627 FINLEY AVE.
LOS ANGELES, CA 90027 (in Los Feliz near the corner of Vermont)
During the reception the interior space will be open so you can see the sculptures up close. Visit any evening until October 20 from dawn until dusk to view the work through the window. Take a poem from the box in the garden.

Mary and Masoud in Heaven

My exhibition “Mary and Masoud in Heaven” is on view at the Finley Gallery in Los Feliz 24 hours a day 7 days a week until October 20. Optimal viewing hours are from dusk til dawn. Stand on the viewing platform to see the sculptures and take a poem home with you. 4627 Finley Ave, Los Angeles 90027. This is a tribute exhibition for my best friend Mary Bellis and my boyfriend Masoud Benam who both suddenly and unexpectedly died in 2015. 01-IMG_942902-IMG_944403-IMG_942704-IMG_9451

Thank you Mary and Masoud for all of your love and generosity. Rest in power my gorgeous friends and I will see you on the other side. margie-mary-masoud

you are love

Thank you to all who supported the Lot 2001 Kickstarter campaign! And many thanks to my fiscal sponsor Fulcrum Arts! We exceeded our Kickstarter goal thanks to all of you!  I am in the process of mailing rewards and everything is scheduled to ship by the beginning of April. If you missed the Kickstarter deadline and would like to donate to the Lot 2001 artist residency anytime, you can do so here. Donations are 100% tax deductible to the fullest extent of the law.

youarelove-facebook

When I got home from the ceramics studio tonight Orff’s Carmina Burana was playing on KUSC.  (I leave the radio on for  Juki so he does not feel lonely). This piece always makes me smile. I think it’s great when classical musical merges with popular culture- even to the point when it’s almost kitsch. (Magic Flute ringtones? Yes I have heard them on the street outside the Disney Concert Hall but that’s another story… ) So I’m not sure which orchestra was broadcasting tonight but here is a performance I found on  YouTube.

The best know piece is  “O Fortuna”. When you listen to this you will have flashbacks of multiple media moments. Totally kitsch!

Kickstarter Reward: Vintage Schnibbe Zines

The Lot 2001 Kickstarter Campaign is going strong!  Come Join Us!

lovepoems-cover-insta

loepoems-intro-smhouse-insta

I wrote these poems in 1994-1995 when I was working as a dominatrix in NYC. This zine was first published in 1996 when I was a graduate student at CalArts and taking a zine-making class with author Nicole Panter. It’s hard to believe that all of this was over twenty years ago and that I am now fifty-five years old! If you want to know the thirty-something Margie you will find her in this zine!